Staging England in the Elizabethan History Play

Staging England in the Elizabethan History Play
Author :
Publisher : Ashgate Publishing, Ltd.
Total Pages : 297
Release :
ISBN-10 : 9781472420510
ISBN-13 : 1472420519
Rating : 4/5 (10 Downloads)

Book Synopsis Staging England in the Elizabethan History Play by : Prof Dr Ralf Hertel

Download or read book Staging England in the Elizabethan History Play written by Prof Dr Ralf Hertel and published by Ashgate Publishing, Ltd.. This book was released on 2014-04-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applying current political theory on nationhood as well as methods established by recent performance studies, this study sheds new light on the role the public theatre played in the rise of English national identity around 1600. It situates selected history plays by Shakespeare and Marlowe in the context of non-fictional texts (such as historiographies, chorographies, political treatises, or dictionary entries) and cultural artefacts (such as maps or portraits), and thus highlights the circulation, and mutation, of national thought in late sixteenth-century culture. At the same time, it goes beyond a New Historicist approach by foregrounding the performative surplus of the theatre event that is so essential for the shaping of collective identity. How, this study crucially asks, does the performative art of theatre contribute to the dynamics of the formation of national identity? Although theories about the nature of nationalism vary, a majority of theorists agree that notions of a shared territory and history, as well as questions of religion, class and gender play crucial roles in the shaping of national identity. These factors inform the structure of this book, and each is examined individually. In contrast to existing publications, this inquiry does not take for granted a pre-existing national identity that simply manifested itself in the literary works of the period; nor does it proceed from preconceived notions of the playwrights’ political views. Instead, it understands the early modern stage as an essentially contested space in which conflicting political positions are played off against each other, and it inquires into how the imaginative work of negotiating these stances eventually contributed to a rising national self-awareness in the spectators.


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