When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-
Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empir
"The first in-depth study of Vaslav Nijinsky's life-writing, this book combines textual analysis and literary theory with intellectual biography to elucidate th