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Blacks and Blackness in European Art of the Long Nineteenth Century
Language: en
Pages: 263
Authors: AdrienneL. Childs
Categories: Art
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

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Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in th
Blacks and Blackness in European Art of the Long Nineteenth Century
Language: en
Pages:
Authors: AdrienneL. Childs
Categories: Electronic books
Type: BOOK - Published: 2017 - Publisher:

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"Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in t
The Art of Exclusion
Language: en
Pages: 288
Authors: Albert Boime
Categories: African Americans in art
Type: BOOK - Published: 1990 - Publisher: Smithsonian Books (DC)

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"Boime presents a major critique and revisionist interpretation of the portrayal of black people in the nineteenth century ... examines the fundamental historic
The Image of the Black in Western Art: The twentieth century : the impact of Africa. Photography, popular imagery, anthropology, and racial theory (Counteracting the stereotype : photography in the nineteenth century / Deborah Willis ; Marketing racism : popular imagery in the United States and Europe / Tanya Sheehan and Henry Louis Gates, Jr. ; Visual culture and the occupation of the Rhineland / Vera Ingrid Grant ; Anthropology and photography, 1910-1940 / Elizabeth Edwards ; African taxonomies : displaying and classifying race / David Bindman) ; Europe and the construction of the
Language: en
Pages:
Authors:
Categories: Blacks in art
Type: BOOK - Published: 2010 - Publisher:

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In The 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called
Value in Art
Language: en
Pages: 276
Authors: Henry M. Sayre
Categories: Art
Type: BOOK - Published: 2022-03-10 - Publisher: University of Chicago Press

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Art historian Henry M. Sayre traces the origins of the term “value” in art criticism, revealing the politics that define Manet’s art. How did art critics